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Intolerance on the F Train. We learn about his childhood, and his mother's actual place in his psychological firmament. But Sylvie Testud's doe-eyed schoolmarm, coaching the boys now in matching black suits on how to properly appreciate their empty dinner table, or the contrast between Samie's unplugged keyboard and the DJ Granny Trio a triumphant, unexpected metaphor for life vs. But Married Life seems calculated to mark a dramatic break, to display versatility or to perhaps exhibit some "lighter side" to Sachs's directorial sensibility, while retaining the basic humanist insight that underpins his oeuvre. What is Téchiné doing? The page you are trying to access:
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